Sean Radford has been the go-to "guitar guy" since he was just a teenager. Finding out at a young age that he was much happier making money playing and teaching guitar than doing yardwork, Sean set out to become the best musician and guitarist he could be with the hope that he would never have to have a day job. Years later, after countless days of 14-hour practice sessions, it all paid off. For almost twenty years now, Sean has been an integral part of music scenes in areas as far removed as the Pacific Northwest and the Adriatic Coast of Italy. By playing on numerous albums as a supporting musician and gigging in venues of all types - from coffee shops to sports stadiums - Sean has built a small but loyal base of fans who appreciate his unique abilities as both an instrumentalist and songwriter.

Though his music has deep roots in the blues, Sean's music frequently reaches across stylistic barriers at will, crossing over into jazz, rock, pop, country, and even folk music of the Mediterranean. Full of the kind of over-the-top chops that guitar lovers crave, Sean's music never lacks the songwriting focus that so many other guitar-slingers forget has to be at the core of all great music. In addition to the obvious basis for comparisons to new blues-rock young guns like John Mayer, Joe Bonamassa, and Jonny Lang, listeners will also catch hints of Bill Frisell's atmospheric Americana, Jeff Beck's instrumental experiments, and the pop-country sensibilities of artists like Brad Paisley and Keith Urban.

All of these influences come together on Sean's newest recording, set for a late 2010 relese date. On it, listeners will find a rich blend of musical styles, all held together seamlessly by Sean's superb guitar playing, songwriting, and vocals. Songs like "Get To You" and "You're Makin' It Hard" land squarely in blues territory, but with a modern twist that will appeal to younger audiences, and songs like "Blue in Brazil" and "South of the Border" show off Sean's ability to mix Latin music into his signature sound without resorting to kitsch. "You'll Be the Death of Me" is a perfect fit for country radio and shows how versatile Sean can be, without losing a sense of continuity as an artist.